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Free shipping on orders over $300 (Excluding Confetti Machines)
Open M-F 9AM–5PM
Free shipping on orders over $300 (Excluding Confetti Machines)
Open M-F 9AM–5PM
Free shipping on orders over $300 (Excluding Confetti Machines)
Open M-F 9AM–5PM
Free shipping on orders over $300 (Excluding Confetti Machines)
Open M-F 9AM–5PM
Lucas Nathaniel Brooks –
Between the adjustable angles and different firing modes, this base seems suitable for quite a few event layouts.
Samuel David Cooper –
The ability to trigger all four cannons at once is exactly the kind of feature you’d want for a concert finale or celebration countdown.
Grace Peterson –
Being able to change the launch direction for each cannon is an important detail. Every venue has a different layout.
Noah Benjamin Foster –
Eight DMX channels for individual and grouped firing patterns is a thoughtful feature. Especially useful when designing effects around music.
Ethan Christopher Parker –
The design is clean and practical. Having four cannon positions in a single unit is a nice solution for event production setups.
Emily Richardson –
It’s helpful to have multiple cannon positions controlled from one base. That could make coordinating special moments at events much easier.
Chloe Campbell –
For a four cannon base, there’s a lot of control built in. Individual firing, simultaneous firing, sequences, and adjustable angles all add to its versatility.
William Thomas Anderson –
The metal housing looks sturdy and professional. I also like that the cannon angles can be adjusted individually.
Abigail Sullivan –
I like the idea of using one base for four electric cannons instead of dealing with four separate launch units.
Isabella Morgan –
The individual firing controls are what stand out to me. Being able to time each cannon separately gives the operator more creative control.
Benjamin Michael Harris –
The DMX compatibility is the main selling point for me. Having confetti effects controlled alongside the rest of the lighting setup is a big advantage.
Amelia Thompson –
Not every event needs a full DMX setup, so having the remote option is useful. It’s nice to have a choice depending on the production.
Olivia Bennett –
Really like having both DMX and remote control options. The different firing sequences make it easy to plan out more interesting confetti effects.
Henry Collins –
The combination of remote operation and DMX support makes this a flexible piece of equipment for different event requirements.
Charlotte Wilson –
I really like the option to fire the cannons from left to right or from the center outward. It opens up a lot of creative possibilities.
Sophia Carter –
This looks like a great option for creating those big celebration moments at weddings. Four cannons from one base makes planning the setup much simpler.
James Alexander Mitchell –
The four cannon setup is exactly what we needed for our stage production. Being able to trigger everything together or separately gives us so much flexibility.
Daniel Joseph Reynolds –
Four cannons going off together could create an impressive effect for a countdown, entrance, or big finale. Definitely an interesting piece of event equipment.
Alexander Hughes –
The layout looks straightforward and the separate firing modes are useful. Just remember that the electric cannons are purchased separately.
Mia Robinson –
The center outward firing pattern is a particularly nice touch. It would be interesting to coordinate that with stage lighting.